Broadcasting & Media Cases

Rolling and ENG cases for broadcast TV, news gathering, ENG crews, OB vans, and media production. Custom foam for cameras, audio, lighting, and wireless.

Broadcasting & Media Cases

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Compatible Equipment / Brands

Sony FX9 / FX6 / Venice · Canon C300 / C500 · Blackmagic URSA · ARRI Alexa Mini · RED V-Raptor · Atomos · SmallHD · Teradek · Sennheiser · Rode · Sachtler · Vinten · Manfrotto

Need a custom solution?

Contact KeXinMaterials for industry-specific OEM/ODM cases. 12h quote, 30-day delivery, MOQ 50-300pcs.

Email: kexin@beeaa.com WhatsApp: +86 13590555309

Industry Details & Specifications

KeXinMaterials broadcasting and media cases are custom-engineered for ENG (electronic news gathering), SNG (satellite news gathering), and EFP (electronic field production) workflows. We match broadcaster brand colors (ESPN red, NBA red/white/blue, MLB red, NHK red/white, Coca-Cola red, etc.) and integrate custom foam for Sony HDC, Ikegami HDK, Grass Valley LDX, EVS slow-motion, RTS intercom, and ChyronHego graphics systems.

Customer Success Stories

ESPN Sports Broadcasting

Read case study →

MLB Baseball Broadcasting

Read case study →

NBA Sports League

Read case study →

Fox News ENG

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Reuters News Agency

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Coca-Cola Brand Activation

Read case study →

Featured Customer Case Studies

Espn Sports Broadcasting CaseRead case study →Mlb Baseball Broadcast CaseRead case study →Nba Sports League CaseRead case study →Fox News Broadcast CaseRead case study →Reuters News Agency CaseRead case study →Disney Streaming CaseRead case study →

Production workflow

Broadcast workflow: pre-production → production → post-production → distribution. Equipment protection matters at all stages. KeXinMaterials cases support each stage with rapid-deploy, all-weather, and secure storage solutions.

Live broadcast constraints

Live broadcast demands: under 3-minute setup, 24/7 reliability, all-weather operation, airline-checkable size. Our cases meet these with custom foam, IP67 rating, TSA locks, and integrated wheels.

Frequently Asked Questions

What size case do I need for an ENG kit?

A typical ENG (Electronic News Gathering) kit fits in a 730x530x350mm trolley case with custom foam cutouts for the camera body, lens, wireless mic, light, batteries, and cables. KeXinMaterials offers 8 standard ENG sizes from compact shoulder-mount cameras (Sony PXW-Z280) to full cinema rigs (Sony Venice, ARRI Alexa Mini LF).

How fast can I get a custom foam for my specific camera model?

Standard foam layouts for 200+ popular broadcast models ship in 5-7 days. For non-standard gear (older cameras, specialty audio equipment), our engineering team creates custom CAD designs in 48 hours and ships a foam sample within 7-10 days. Total lead time including approval: 10-15 days.

Are your broadcast cases airline-checkable?

Yes. All our trolley cases fall within IATA checked baggage limits (linear dimensions under 158cm). They include TSA-approved locks and reinforced corners for rough baggage handling. We can also add ATA Spec 300 Category 1 air-transportable certification for live broadcast freight.

What IP rating do broadcast cases need?

Outdoor ENG work typically requires IP65 (rain protection) or IP67 (temporary immersion). Our broadcast cases meet IP67 by default. For marine or coastal broadcasting (surf reports, sailing events), we recommend IP67 with corrosion-resistant stainless steel hardware.

Do you offer custom branding for broadcast networks?

Yes. We can match your network's brand color (Pantone-matched) and add laser-etched or screen-printed logos. Common networks we support: ESPN red, NBA red/white/blue, MLB red, NHK red/white, BBC red, CNN red, Fox red, Sky blue. MOQ for custom color: 100 pieces.

Can broadcast cases integrate with OB van racking systems?

Yes. We manufacture 19-inch rack cases (1U to 6U) that slot into standard OB van racks. Available depths: 300mm, 450mm, 600mm. Front panels can be customized with rack ears, power strips, and connector cutouts (BNC, XLR, RJ45, fiber).

What is the warranty on broadcast cases?

5-year warranty on case shell, 2-year warranty on hardware (hinges, latches, wheels), 1-year warranty on foam. Lifetime technical support. We replace any case that fails under normal broadcast use within 30 days at no charge.

How do you protect sensitive broadcast electronics from shock and vibration?

Closed-cell polyethylene (PE) foam with anti-static coating. We use multi-layer construction: a base layer for shock absorption, a precision-cut top layer matching the equipment outline, and a top foam lid for compression. Optional anti-vibration mounts for portable satellite uplinks.

Do you have cases for live-stream and podcast setups?

Yes. Podcast kits (mixer, mics, headphones, cables, laptop) fit in our 530x400x250mm cases. Live-stream kits with green screen, lighting, and audio gear fit 730x530x350mm. Both sizes include custom foam for popular brands: Rode, Shure, Elgato, Blackmagic, Sony, Audio-Technica.

Are your cases used by major US/EU broadcasters?

Yes. Our cases are deployed at major US networks (ESPN, Fox, NBC Sports, CBS Sports, MLB Network), EU broadcasters (BBC, Sky, RTL, ZDF, France TV), and Asian networks (NHK, KBS, MBC, CCTV, CGTN). We support 100+ broadcasters across 50 countries.

How do you handle the weight of broadcast equipment?

Our trolley cases use high-impact PP or ABS shells and inline-skate wheels rated for 50kg static load each (200kg total). Larger cases feature 4-wheel swivel with locking brakes. We never use lightweight shells for broadcast cases - reliability matters more than 200g savings.

Can I get an OEM/private-label broadcast case?

Yes. OEM/ODM services include: custom shell color, custom foam, custom latches and hardware, custom logo engraving, custom retail packaging, and barcode/serial number tracking. Minimum order for full custom: 300 pieces. Lead time: 30-45 days from deposit.

Industry Overview: Broadcasting & Media

The global broadcasting and media industry includes television networks, radio stations, film production companies, streaming services, podcast studios, and live event production. Key segments include news gathering, sports broadcasting, music production, film, and digital content creation. The industry relies on high-value, sensitive equipment that requires specialized protective packaging for transport between studios, outdoor venues, and international locations.

Common Equipment & Packaging Requirements

Broadcasting professionals transport a wide range of equipment, including:

Most broadcast equipment is shock-sensitive, moisture-sensitive, and temperature-sensitive. IP67-rated cases with custom foam are the industry standard. ATA 300 certification is required for airline transport of broadcast gear.

Standards & Compliance

Broadcasting operations must comply with several standards:

Application Scenarios

ENG (Electronic News Gathering): News crews need rugged, lightweight cases for daily transport. Pelican 1510, Nanuk 935, and similar carry-on cases are popular. Custom foam with compartments for camera body, lenses, batteries, and audio gear is standard. ENG crews typically use 3-5 cases per deployment.

Sports Broadcasting: Mobile broadcast units for sports events use rack-mounted equipment in heavy-duty cases (Pelican 1620, 1650). OB (Outside Broadcast) vans have custom shock-mount racks for video switchers, audio mixers, and slow-motion replay systems. Equipment must survive 100+ transport cycles per year.

Film Production: Cinema cameras (ARRI, RED, Sony Venice) require heavy-duty cases ($2,000-5,000 per case). Pelican 1620, 1650, and custom ATA cases are common. Lenses, matte boxes, follow focus, and monitoring equipment need separate compartmentalized cases.

Music Industry: Touring musicians, audio engineers, and concert production crews use rack cases (SKB, Gator, Pelican rack series) for amplifiers, mixing consoles, and outboard gear. 2U, 4U, 6U, and 8U rack cases with shock-mount or suspension systems are standard.

Live Events: Concert, theater, and corporate event production requires transport for lighting, sound, video, and staging. Cases with wheels and telescoping handles are essential for frequent load-in/load-out. Color-coded cases for different departments (audio, video, lighting) are common.

Case Selection Guide

Use CaseRecommended CaseWhy
ENG daily transportPelican 1510 / Nanuk 935Carry-on size, 5kg, custom foam
Sports OB vanPelican 1620 / 1650Large capacity, rack-mountable
Film productionPelican 1620 / 1650 / Custom ATAHeavy-duty, premium protection
Music touringSKB / Gator rack casesRack-mount, shock-mount options
Live eventsPelican 1620 / 1660 with wheelsLarge, rolling, fast load-in
Podcast / studioPelican 1450 / 1500Compact, mid-size, custom foam
Drone cinematographyPelican 1525 / Nanuk 925Fits drone, controller, batteries

Why Choose KeXinMaterials for Broadcast Cases

KeXinMaterials has supplied protective cases to over 50 broadcasting clients worldwide, including national TV networks, sports broadcasters, film production companies, and music touring organizations. Our advantages include:

Case Study: Major Sports Broadcaster

A top-3 US sports broadcaster needed 200+ custom cases for their 4K HDR OB van fleet. KeXinMaterials supplied Pelican-equivalent cases (custom molded, ATA 300 + IP67 certified) with custom foam for 18+ different equipment configurations (camera bodies, lenses, CCUs, fiber converters, etc.). Lead time: 30 days from PO. Result: 100% on-time delivery, 0% defect rate, $200K+ cost savings vs. Pelican quote.

Frequently Asked Questions

Q: What's the best case for ENG (news) crews?
A: Pelican 1510 or Nanuk 935 (carry-on size, 4-5kg, custom foam). For multi-camera setups, Pelican 1620 with custom foam dividers.

Q: Do I need ATA 300 or Mil-Std-810?
A: ATA 300 is sufficient for commercial airline transport. Mil-Std-810 is required for military, aerospace, and government broadcast contracts.

Q: Can you customize foam for my specific camera?
A: Yes. We have templates for ARRI, RED, Sony, Canon, Blackmagic, and most major broadcast cameras. Custom foam for unique equipment: 5-10 day lead time, $50-150 per design.

Q: What's the lead time for custom OEM cases?
A: 30-45 days total: 5-7 days for 3D design approval, 20-30 days for tooling and production, 5-7 days for QC and shipping. Expedited: 15-20 days (with 20% rush fee).

Q: Do you offer color customization?
A: Yes. We offer any Pantone color for cases, including color-coded broadcast departments (red for video, blue for audio, yellow for lighting, etc.). MOQ for custom color: 300 pieces per color.

Broadcasting Media Industry Sourcing

Market size

Global broadcast equipment market: $65 billion (2026). ENG (Electronic News Gathering) equipment: $8 billion. Cinema and film production equipment: $25 billion.

Top buyers

Major networks: Fox News, CNN, BBC, NBC, CBS, ABC, Al Jazeera, NHK, RAI, ZDF, ARD, France 24, CGTN. Production companies: Disney, Warner Bros, Sony Pictures, Universal, Netflix, Amazon Studios, Apple TV+. Streaming: YouTube, TikTok, Twitch creators.

Recommended configurations

ENG kit: 730×530×350mm with custom foam for camera, mic, light, batteries. Cinema camera: 630×480×300mm with custom foam. Audio gear: 530×400×250mm with shock mounts. Lighting kit: 830×580×400mm. OB van mobile: 1200×800×500mm rack case. Drone journalism: 530×400×200mm with controller and batteries.